When Roy Scheider died on Sunday at the age of 75, many obit writers identified him simply as “the sheriff from ‘Jaws’” and, if they had some space, it was also noted that the actor appeared in “All That Jazz” and “The French Connection.”
The star gave very strong performances in all three of those classics, but I think my favorite Scheider character was the adulterous businessman he played in a virtually unseen 1986 John Frankenheimer drama, “52 Pick-Up.”
Based on an Elmore Leonard novel, the film is a tough and rather nasty look at the intersection of high life and low life in Los Angeles two decades ago. It’s a crime drama that packs an unusually strong emotional punch.
The Scheider character is married to a rising politician (Ann-Margret), but has been having an affair with a pretty young actress (Kelly Preston), new to L.A., who is falling into the porn/prostitution underworld.
A porn director/pimp (played with ferocious force by John Glover) decides to blackmail the industrialist with a hidden camera video showing Scheider having sex with the actress.
When the man says “no” and finally confesses to his wife about the affair, the blackmailer ups the ante by killing the mistress and pinning the murder on the businessman.
Scheider manages to make us care about a morally dubious man without ever trying to sugar coat what the adulterer has done to his wife.
When Scheider tells his wife about the affair, the result is one of the best acted scenes to be found in any 1980s Hollywood movie. Scheider’s nervous guilt turns to pain as he watches his wife react to the bombshell revelation (Ann-Margret is simply sensational in this scene).
It was clear watching “52 Pick-Up” that Scheider didn’t care if we “liked” the man he played, but he takes us so far into the character’s dilemma that the empathy factor is strong (when the industrialist is shown a tape of his mistress’ murder, we can see that the man is both horrified by what happened to a girl he cared for and terrified that he has walked right into a trap that will probably destroy him).
“52 Pick-Up” was one of the very few good movies produced by the 1980s schlock production company, Golan-Globus — best known for Chuck Norris epics and break dance musicals — and it opened and closed almost simultaneously.
For many years, Frankenheimer was vocal in his pain over the mishandling of the film and the fact that his co-workers Scheider and Glover and Ann-Margret had some of their best screen work go unseen.
“52 Pick-Up” is a lost gem worth searching out.
